1.

Displace Engine

 

Displace Engine centers itself around absences created by displacement and disassociation, elliptically addressing social issues, scientific and natural processes, and cultural identity, without reducing or literalizing those experiences. Displace Engine utilizes choreographic methods of repetition, instant composition, and variations on kinetic and structural themes; the movement both deconstructs and indulges in sentimentality by romanticizing physical vocabulary over time. 

Explores the exploitation of my own work while creating value out of this intrinsically, invaluable time-based form.  Costumed, designed and sonically framed with an aesthetic of "sexualized metal" in order to create distance between product and consumer (ie: audience). The research sits in understanding Marxist philosophy of "commodity fetishism," capitalist ideology, and techniques of engineering and physics. 

(featuring dancers: erin bishop o'brien, jana capozzoli, rebecca green, tiara jackson, yvonne lacombe, autumn randolph)

© Caitlin H. Adams/2017

 

available for booking

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2.

good Mother

Good Mother studies the effects of disassociation on the individual as related to other bodies in space, attempting to answer questions surrounding the growth of disassociation within systems, structures, and processes.  With a depersonalized approach, the performers navigate a plane of existence through a taut, mechanical, classically informed vocabulary, framing the dancers as molecules originating from the same complex structure.  In chemistry, disassociation is reversible thus dancers are constantly teetering on physical alignment or unison. The work is centered around a duet originally crated with and performed by Erin Bishop O'Brien and Stephen Patterson, also features dancers Autumn Randolph and Charlotte Smith. Good Mother and Displace Engine are currently in process of re-adaptation as one dance theatre piece.         

available for booking


3.

BETWEEN THE CHAMBER, THE CAVITY, YOU, 

AND A RECEPTACLE FOR ONE MORE

A multimedia, interdisciplinary series featuring live and virtual performances from more than 20 participants with varied artistic backgrounds. This project is the result of collaborative, leaderless conversations pursued and processed privately between director and participating artists.  Performers share space only on nights of presentation.  As the series continues, more individuals will become involved, more bodies/lands/countries/states are represented.  This project aims to enhance local and global pluralism by magnifying immediate reality and giving total agency to everyone in the space. Through verbal, non verbal and unnamable language, the artists will process and provide lenses into their realities while in dialogue, collision and agreement with shared space and time. Central focus aims to distance the physical and mental body in order to illuminate the intersection of the private and public spheres of the individual. It explores the privacy of the body, striving to locate the language of our anatomical home.

PART 1: DYNASTY CENTER/OCT 2015

PART 2: EXIT OVERLAND/HIGHWAYS PERFORMANCE SPACE (Leo Garcia & Patrick Kennelly Present)

January 2016

PART 3: EVERYTHING CAN MAKE ME MAD RIGHT NOW, EVERYTHING/REDCAT STUDIO MARCH 2016

w/ BESTFRIENDS(Caitlin Adams + Chelsea Rector) 

10.15.2_Everything Can Make Me Mad Right Now (everything)_ co-directed by BEST FRIENDS (Caitlin Adams & Chelsea Rector) Sound Design: Zach Crumrine Lighting Design: Caitlin Adams

an intersubjective dance theatre piece, a cumulative improvised performance focusing on key themes of PARTS 1 & 2 as a duet, in a proscenium stage environment.

Full Cast: Erin Bishop-O'brien, Joey Cannizzaro, Camila, Chelsea Conwright, Zach Crumrine, Ariana Daub, Eloise Deluca, Wesley Ensminger, Arne Gjelton, Becca Green, Helena Grierson, Tiara Jackson, Yvonne Lacombe
Pete Laughlin, Kelsey Lanceta, Ryan Masson, Elisabeth Mladenov, Tariq Mitri, Madison Page, Anna Luisa Petrisko, Chelsea Rector, Patrice Roth, Jordan Saenz

 

P A S T W O R K

dancers: Lainey Bowers, Darby Kelley, Yvonne Lacombe Costumes: Rachel de Rosa Lighting Design: Matt Schumacher Choreography, sound design: caitlin adams calarts 2013

dancers: Erin Bishop O'Brien, Chelsea Conwright, Gregory Dorado, Princeton Spicer (not pictured_ Patrice Roth) Music/Sound Design: Zach Crumrine, Pascal Stevenson, Devin Ronneberg Lighting/Set Design: C. Ramzi Hibri 

dancers_Wesley Ensminger, Stephen Patterson; composers/musicians_Gregory Uhlmann & Jodie Landau

Director/Performer/Sound Designer_Caitlin Adams. Cinematography/Lighting_C.Ramzi Hibri

OLINGLINGO is a ceremony that invokes our ancestral memories from past and future, earth and outer-space. In a total submergence of song, movement, video and language, the OLINGLINGOANS move ecstatically through prismatic portals. In an embodied collective reminiscence, we decolonize our spaceship. We are all OLINGLINGO.

Video installations by Jeepneys + Ramzi Hibri Production & Curatorial Wizardry by Oscar Santos Set Design & Ecstatic Visioning by Ramzi Hibri

Cosmic vision/direction/choreography by Caitlin Adams

THE OLINGLINGOANS Ramzi Hibri Oscar Santos Caitlin Adams Kelsey Lanceta Tiara Jackson Naomi Sioufi David Park David Paha TravisD Bob & Ligaya Petrisko Featuring: Video work by Chloe Miller Custom spacesuits by Ani Bujko